Digital imaging photometry with ``non-scientific'' cameras offering raw data formats

It uses a programme dcraw152j modified by me from the outstanding dcraw. Another option is to use unmodified decompress, but this works just for Canon cameras. The other input is from jhead. See David Coffin's page for sources of standard versions of the programmes. From their output, a photometric table is computed using raw2lum.

To help working with the table, an overlay is computed as well, showing the tiles of the photometric table and some of its values. Namely, medians of the upper green pixels within the Bayer grid of the chip (or of any pixels at this place) and, if the exposure is known, the median luminances (or average luminances or brightnesses of the tiles) as well.

Early 2004, a supplementary output has been developed, coding the luminances by a colour scale. The scale spans a range of 1:1E7, going from 0.318E-3 nt to 3.177E4 nt. In each colour, five luminance steps are used, with borders at 0.318, 0.504, 0.798, 1.264, 2.005, 3.177. The sequence of colours is blue: milinits, magenta: centinits, cyan: decinits, red: nits, green: dekanits, yellow: hektonits, blue again: kilonits, grey: tens of kilonits. Let's remember that nit is an alternative name for candela per square metre. The luminances corresponding to the centres of the faint intervals are (on example of red colour) 0.4 nt, 0.63 nt, 1.005 nt, 1.59 nt and 2.52 nt.

The calibration of luminances for Canon EOS D60 is still rather preliminary, based at first just on a couple of defocused images of sunlit and moonlit snow in February and of Capella in zenith (Sun has been rather low in the sky and the times for the Moon imags are doubtful). Then some images of summer sunlit white paper had been made in 2003 and a better calibration obtained. It may be easily 30 % off for non-gray scenes lit by sodium light.

Calibration for Fuji S5000 is more reliable, being based on using luxmetres as well. For sunlight and scenes which are not very coloured, its uncertainty perhaps is about five per cent only (well, for the single camera I've used).

A more adequate linear combination of R, G and B could be used, what may be important for sodium lights. Taking a couple of images of solar spectra in summer might solve this problem, for each camera individually.

Another source of uncertainty, not over 10 %, are the exposures (focal ratios or even exposure times which are not perfectly natching the reported values).

(the images and *.tab contain some results. Pixel values over 3980 seem to mean overflow for D60 -- even if overflow is 4095, some spillage to another pixels can proceed).

Jenik Hollan, partial update on Jan 2004.